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Through self-study, he learned how to operate a camera.When Tolosa transferred to LVN, Accion was made assistant cameraman to cinematographers Remigio Young and Rafael Salumbides.He was documentary photographer for the Department of Public Information in 1974 and stillman for the American produciton Hit Woman in 1976. He married Maria Saret, who is also a movie director.Abaya has won awards both for his work in film editing and cinematography. He was educated at San Miguel Elementary School in Bulacan and Manila High School.
The AWF membership as well as its teaching staff is composed largely of practicing actors involved actively in film, television, and theater. Her parents are actor Linda Estrella and Adriano Agana. Paul College, Quezon City and Philippine Women’s University (PWU). Perez of Sampaguita Pictures, who gave her a bit part as a solo ballet dancer in Milagro ng Birhen ng mga Rosas (Miracle of the Virgin of the Roses), 1949. After learning all that he could about film in London, Abaya returned to the Philippines to set up the family’s own movie production outfit, Cine Filipinas, Inc. After two years of college in the University of Santo Tomas, he went to England and took up a diploma course in filmmaking at the London International Film School.Its centerpiece project is its AWF Scholarship Program for Young Actors which provides selected talents a year-long curriculum and training in acting. The film broke box-office records and helped Sampaguita Pictures rise again after a big fire gutted its studio. Nolasco ’s Siete Dolores (Seven Sorrows) and Mga Busabos ng Palad (Slaves of Fate), 1948; Eddie Infante ’s Ina (Mother), 1948; and Tony Arnaldo’s Anak ng Pulubi (Child of a Beggar), 1951.At one time, AWF produced a 30-minute daily TV drama called Wakasan which served as a practicum for workshop participants. She became the most popular child star of the decade of the 1950s, sharing top billing with major stars, such as Pancho Magalona and Lillian Leonardo in Anghel ng Pag-ibig (Angel of Love), 1951; Gloria Romero in Rebecca and Ramon Revilla and Sylvia La Torre in Ulila ng Bataan (The Orphans of Bataan), 1952; Katy de la Cruz and Norma Vales in Cumbanchera, 1953; and Fred Montilla in Nagkita si Kerubin at si Tulisang Pugot (Cherubim Meets Headless Bandit), 1954. Aguirre made her screen debut in Sampaguita Pictures ’ Himagsikan ng mga Puso (Revolt of the Hearts), 1938, which was based on the novel by Julian Cruz Balmaseda, Tala ng Bodabil (Star of Vaudeville). During the 1950s she was an exclusive contract star of LVN Pictures for mother roles in films like Pag-asa (Hope), 1951; Tia Loleng (Aunt Loleng), Tenyente Carlos Blanco (Lieutenant Carlos Blanco), and Matador (Bullfighter), 1952; and Tumbalik na Daigdig (Topsy-Turvy World) and Sa Paanan ng Bundok (At the Foot of the Mountain), 1953. She is the eldest child of Bernardino Alatiit of Roxas City and Angelica Liguid of Cavite. After high school, she took a one-year course on tourism and travel at the Centro Escolar University.